This study of Elizabethan and Jacobean royal entertainments, including tiltyard speeches and court masques, is the first to look in detail at the surviving material texts. It examines the 1602 Harefield entertainment, the 1575 Woodstock entertainment, the Merchant Taylors' and Theobalds' entertainments, and Ben Jonson's work for the Jacobean court.
Lyndsey Stonebridge presents a new way to think about the relationship between literature and human rights that challenges the idea that empathy inspires action.
Lyndsey Stonebridge presents a new way to think about the relationship between literature and human rights that challenges the idea that empathy inspires action.
Writing is a defining marker of civilisation; without it there could be no accumulation of knowledge. Andrew Robinson tells the fascinating story of the history of writing, considering its development, and examining the enormous variety of writing and scripts we use today.
Explores the relationship between the transition to capitalism in early modern England and the many literary innovations that emerged within the period.
Taking particular plays and poems from Roman comic theatre and the genre of Latin satire, this book finds Rome sending up Roman culture - making a mess of drama, jesting at rustic gaucherie, caricaturing the cult of masculine aggression. Writing Down Rome explores the robust poetic of self-denigration. Henderson's essays celebrate the energetic self-mockery that powers much of Roman poetry. They range widely over comedy, lyric, bucolic, and, in particular, the Roman speciality of satire.